I have really become hard only by thin layers;
If anyone knew how marrowy I am at bottom.
I am gong and cotton and snowy song,
I say so and am sure of it.
details; Annibal Carrache (Annibale Carracci) (Bologna 1560 - Rome 1609); Pietà avec saint François et sainte Marie-Madeline. Vers 1602-1607; Louvre, Paris (originally in the Mattei chapel in the Church of San Francesco a Ripa, Rome).
Annibale Carracci, an exemplary Baroque painter, along with his brother Agostino and cousin Ludovico, combined Florentine draughtsmanship with Venetian use of colour and texture to create an emotionally charged colourful core. Baroque painting - coinciding with the Council of Trent and its reformulation of the Catholic Church's representational style - emphasised exaggerated emotion, theatricality, expressive lighting, and clear intention; painting, and art in general, should become the literature of the illiterate, conveying story and moral in their stylistic vernacular - simple, direct, powerful. The restraint apparent in the Renaissance's sculptural and architectural influences gives way to dynamism and even sensationalism. Competing contracts and wealthy patronage saw ever more fabul-ist/ous works being produced inside a similarly aggrandising architecture. The modern pejorative use of the term Baroque, as anything with excessive ornamentation and sensationalist dynamism, derives from this development, as well as the Baroque's transition into Rococo.